Sunday, May 26, 2013

Reflecting on Digital Storytelling for Teaching and Learning


                The theories that I relied on for creating my digital story drew from dual coding, the multimedia principle, and the modality principle. The basis for creating my digital story ties into dual coding because of my goal to try and present students with a visual representation to correspond with the auditory component. By triggering meaningful connections between the images that I displayed and the format in which I was speaking. For example, when I was discussing the different types of renewable energy, I did not come out and specifically say, “solar panels” when I was narrating, I said, “harness the power of the sun.” Because most people are familiar with at least what a solar panel or a wind turbine look like, there was no need to address what the image was exactly, rather I was able to trigger a connection between the idea a student already has about solar panels, and assimilate it with a new understanding that renewable energy could help save our planet.

                Touching on the multimedia principle, research has shown that students perform better on retention tests when given narration and animation at the same time. Although this was not a “true” animation in the sense of an animated GIF, the concept still seems to remain the same. By presenting pictures to my students with no text, and using narration, I hoped to prevent the cognitive load from becoming too great to handle. In addition, the graph that I used in my story was used to “convey relationships between variables” (Swisher, p21, ¶ 1.) The idea was to have students quickly see the graph, but with little text to fully explain it, I was able to draw a connection between the growing world population and the demands on energy. Lastly, I hit on the modality principle when creating this story by presenting the words in a spoken format rather than a written format. One thing that I will consider for future digital stories is a concept from the coherence principle, in that all extraneous material should be removed from the presentation. In this circumstance, I felt that music played a powerful role in accompanying the message that I was trying to get across. However, this may not always be the case, and so depending on what type of message or information that I am trying to convey, the consideration for removing the music would take place.

                The process of selecting images for this presentation was slightly arduous, just because there were so many pictures that I came across that did not have information clearly stating the licensing information. Because I was unable to positively identify whether or not the image was in the public domain or had a creative commons license, I did not take the chance, and was unable to use those images. My process for selecting my images took a different format than what I have done in the past. After I wrote my first script, I went through and made a PowerPoint presentation with each image, the author, the source link where I retrieved it and the category that it fell into. Using this process helped me keep track of each image that I wanted to utilize, as well as it made the attribution process a lot easier because I was able to quickly pull the information I needed from one source and was able to compile it in the credits portion of my video, as well as include all the links in the description box when I uploaded it to YouTube. Even the pictures that were in the public domain were given attribution in my presentation. The only thing I was unsure of was there were a few images that I used that I personally took when I went to the zoo. When I used those in my presentation, I wasn’t sure if I needed to post those to a website like fotopedia, or Facebook so that they had a source on the internet to be linked too. My assumption was that because it was my own work, I was able to use it in my presentation as I saw fit, and if I wanted to protect those images from being used again, then I would need to upload them and assign a creative commons license to them if I did not want to place them in the public domain. The one thing that I really like doing when I use images for projects that will be made public is to hyperlink each image with the source it came from as well as the author information. In this format, this is not possible because the links would not be active in windows movie maker or the converted YouTube file. Personally, I don’t like the look of long web address links or strange author names, but the process of adhering to the attribution license requires it, so until I figure out how to display the information differently, the process I used will have to work.

                On a side note, I just wanted to say that I was very intrigued by the process you used to have us create this project. When you described that you wanted us to make something that influenced students emotionally or intellectually, it instantly got me thinking about what topics would influence me in one way or another. After I put some thought into it, my passion and intensity to create a dynamic presentation dramatically increased because it was something that was of interest to me. I have noticed that I am more likely to put 110% into something when it is being created for a purpose, as this video was created with the intentions of emotionally altering the way students feel about energy consumption. 

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